Crime and Punishment

Crime and Punishment

Paperback - 2007
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&&LDIV&&R&&LDIV&&R&&LDIV&&R&&LI&&RCrime and Punishment&&L/I&&R, by &&LB&&RFyodor Dostoevsky&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R &&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R New introductions commissioned from today''s top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader''s viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences--biographical, historical, and literary--to enrich each reader''s understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&RFew authors have been as personally familiar with desperation as &&LSTRONG&&RFyodor Dostoevsky&&L/B&&R, and none have been so adept at describing it. &&LI&&RCrime and Punishment&&L/I&&R--the novel that heralded the author''s period of masterworks--tells the story of the poor and talented student Raskolnikov, a character of unparalleled psychological depth and complexity. Raskolnikov reasons that men like himself, by virtue of their intellectual superiority, can and must transcend societal law. To test his theory, he devises the perfect crime--the murder of a spiteful pawnbroker living in St. Petersburg. &&LBR&&R &&LBR&&RIn one of the most gripping crime stories of all time, Raskolnikov soon realizes the folly of his abstractions. Haunted by vivid hallucinations and the torments of his conscience, he seeks relief from his terror and moral isolation--first from Sonia, the pious streetwalker who urges him to confess, then in a tense game of cat and mouse with Porfiry, the brilliant magistrate assigned to the murder investigation. A &&LI&&Rtour de force&&L/I&&R of suspense, &&LI&&RCrime and Punishment&&L/I&&R delineates the theories and motivations that underlie a bankrupt morality.&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&R&&LDIV&&R&&LB&&RPriscilla Meyer &&L/B&&Ris Professor of Russian Language and Literature at Wesleyan University, in Middletown, Connecticut. She published &&LI&&RFind What the Sailor Has Hidden&&L/I&&R, the first monograph on Vladimir Nabokov''s &&LI&&RPale Fire&&L/I&&R, and edited the first English translation of Andrei Bitov''s collection of short stories, &&LI&&RLife in Windy Weather&&L/I&&R. &&L/DIV&&R&&L/DIV&&R&&L/DIV&&R
Publisher: New York : Barnes & Noble Classics, 2007
ISBN: 9781593080815
Characteristics: xxxii, 538 pages :,illustrations ;,21 cm.
Additional Contributors: Garnett, Constance 1861-1946.
Alternative Title: Crime & punishment


From the critics

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Nov 16, 2017

If you took out all the characters who exist just as political mouthpieces or uninteresting interludes (I'm not even convinced that Avdotya or her suitors are necessary characters) this would be a really interesting investigation of the psychology of ends justifying means. But it's varyingly fascinating and tedious, and I have to wonder if this story simply needs an update. Outside its historical context (any book which needs 30 pages of endnotes to be explained is really only of historical importance) this is actually not a very well told story. That said, large parts of it are fascinating, and it has a delightfully gruesome style that I'd never experienced before (I'm not a big reader of fiction). I'm sure some will disagree with me, but I'd still say that even if you're only reading it to say you've read it, there's something to enjoy here. It's only occasionally the kind of book you have to trudge unwillingly through to get to the good parts.

Oct 31, 2017

This is Dostoevsky at his best - at least as far as this reader is concerned. This is a ‘complex’ story (in many respects) certainly with respect to the story line: and, in the ‘typical’ Russian style, full of boiling emotion, honor, degradation and mystery.

Oct 06, 2017

What an amazing read. Should you find yourself struggling to keep up with the characters, continue through. It will come together and it WILL be worth it!

Jul 09, 2017

Possibly one of the best books I have ever read. I could not put this book down, and while some say it is a drag of a read; for me, this book was an actual page-turner. Dostoyevsky does such a fantastic job with narrating the inner thoughts of Raskolnikov. This book made me want to read more classic literature, I was so moved by this book that I reached out to my English teacher to have a lunch discussion about the various themes and ideas in this book. It is also important to note the time period, as well as Dostoyevsky's own political and philosophical ideas, as they give context for the book and a lens through which to read the novel. I can only give this book the highest recommendation for anyone looking to read a master work of literature.

Apr 17, 2017

Amazing book. Dostoevsky's writing is incredible ... he can really get into peoples' heads. It took me a long time to read but it was so enjoyable. It's been a while since I've read something so brilliant. Recommended for anyone, especially people interested in psychology.

Jan 24, 2017

Powerful (journey to the mind in a few days, more dramatic than millennia saga), suspenseful (more so than mystery thriller),
tragic for each character (I'm more sympathetic towards elder and "philandering" Svidrigailov than young and precocious Raskolnikov, equally touched by Katerina as Sofya), insightful to reveal each layer of human nature ("dull" figures Luzhin and Porfiry, representative of the ordinary, conventional wisdom and ruling authority, shine, along with the protagonist.).
A true masterpiece rarely seen in contemporary literature.

AL_IRINAB Nov 27, 2016

In simple words, everything is magnificent in this one of the very best novels in human history ever! The story, plot, characters, theories, developing characters and their relationships, philosophy, search of God, style of writing, escalating of emotions, mystery, beauty of contradictions & paradoxes, scenes of old Saint Petersburg, portrayal of life in the19th century, exploration of human nature and Russian soul, inquiry of how sordid and sublime one can be,
As many times you read this book, you will surprisingly discover something new. Dostoyevsky attained an infeasible pinnacle by creating this genuinely immortal masterpiece of literature art.

May 02, 2016

I enjoyed this masterpiece indeed as I am really into books focusing on contemplating human nature, differing from those authored by Americans, which characterise extended description of natural environment I always find so boring that I can not bear it until I reach 'the heart of the book'. Humans are always the center of everything and thereby what they think and feel deep inside counts most.

Mar 31, 2016

I wanted to like this book so badly, really I did but for the life of me I just couldn't. Maybe my English class killed any enjoyment I would've gotten out of this book if I had read it under different circumstances but I couldn't stand it. I know I was supposed to care about the characters and their suffering but I just couldn't do it, I couldn't stand Raskolnikov and the hours that he spent agonizing over whether or not he had committed a crime and when he would be caught. The dialogue was three pages long, entire pages were only one sentence, so much unnecessary description. Everything was so dramatic, everyone was constantly yelling or exclaiming everything for no reason. To top it off, I was constantly getting nihilism and every other ideology of Dostoevsky's shoved down my throat.

Aug 10, 2015

“I deduce that all, not only great men, but even those who are a tiny bit off the beaten track—that is, who are a tiny bit capable of saying something new—by their very nature cannot fail to be criminals—more or less, to be sure. Otherwise it would be hard for them to get off the beaten track, and, of course, they cannot consent to stay on it, again by nature, and in my opinion it is even their duty not to consent. In short, you see that so far there is nothing especially new here. It has been printed and read a thousand times. As for my dividing people into ordinary and extraordinary, I agree that it is somewhat arbitrary, but I don't really insist on exact numbers. I only believe in my main idea. It consists precisely in people being divided generally, according to the law of nature, into two categories: a lower or, so to speak, material category (the ordinary), serving solely for the reproduction of their own kind; and people proper—that is, those who have the gift or talent of speaking a new word in their environment. The subdivisions here are naturally endless, but the distinctive features of both categories are quite marked: people of the first, or material, category are by nature conservative, staid, live in obedience, and like being obedient. In my opinion they even must be obedient, because that is their purpose, and for them there is decidedly nothing humiliating in it. Those of the second category all transgress the law, are destroyers or inclined to destroy, depending on their abilities. The crimes of these people, naturally, are relative and variegated; for the most part they call, in quite diverse declarations, for the destruction of the present in the name of the better. But if such a one needs, for the sake of his idea, to step even over a dead body, over blood, then within himself, in his conscience, he can, in my opinion, allow himself to step over blood—depending, however, on the idea and its scale—make note of that. It is only in this sense that I speak in my article of their right to crime. . . .”

“ . . . But tell me this: how does one manage to distinguish these extraordinary ones from the ordinary? ...Because, you must agree, if there is some sort of mix-up, and a person from one category imagines he belongs to the other category and starts 'removing all obstacles,' as you quite happily put it, well then . . .”

“Oh, it happens quite often! . . . but consider also that a mistake is possible only on the part of the first category, that is, the 'ordinary' people (as I have called them, perhaps rather unfortunately). In spite of their innate tendency to obedience, by some playfulness of nature that is not denied even to cows, quite a few of them like to imagine themselves progressive people, 'destroyers,' who are in on the 'new word,' and that in all sincerity, sir. And at the same time they quite often fail to notice the really new ones, and even despise them as backward, shabby-minded people. But in my opinion there cannot be any significant danger here, and there is really nothing for you to be alarmed about, because they never go far. . . .

An enormous mass of people, of material, exists in the world only so that finally, through some effort, . . . with great strain it may finally bring into the world, let's say, at least one somewhat independent man in a thousand. . . .”

“What, are you two joking or something?” Razumikhin cried out at last. . . . “Well, brother, if it's really serious, then...You're right, of course, in saying that it's nothing new, and resembles everything we've read and heard a hundred times over; but what is indeed original in it all—and, to my horror, is really yours alone—is that you do finally permit bloodshed in all conscience and, if I may say so, even with such fanaticism... So this is the main point of your article. This permission to shed blood in all conscience to my mind more horrible than if bloodshed were officially, legally permitted . . .”

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Mar 31, 2016

Greisi thinks this title is suitable for 17 years and over

Jul 28, 2013

biblioisseur thinks this title is suitable for 17 years and over

Jan 09, 2013

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TSCPL_ChrisB Jun 06, 2016

Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.

Feb 07, 2012

To go wrong in one's own way is better than to go right in someone else's.

Mar 19, 2010

In a morbid condition of the brain, dreams often have a singular actuality, vividness and extraordinary semblance of reality. At times, monstrous images are created, but the setting and the whole picture are so truth-like and filled with details so delicate, so unexpected, but so artistically consistent, that the dreamer, were he an artist like Pushkin or Turgenev even, could never have invented them in the waking state. Such sick dreams always remain long the memory and make a powerful impression on the overwrought and deranged nervous system.


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FavouriteFiction Sep 30, 2009

A man makes a decision to murder an old woman and suffers from terrible guilt.


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